Articles accepted at the time of publication                   Back to the articles list | Back to browse issues page

‎ 20.1001.1.23223081.1401.0.0.372.4

XML Persian Abstract Print

Analyzing the process of the discourse system of the tense-emotional pattern in the poetry of Mohammad Al-Fituri and Ahmed Shamlou with a semiotic-semantic approach (case studies of the poems "Eli.. Ghassan Kanfani" and "The Death of Nazli")
Javad Ranjbar * 1, Abbas Najafi2
1- Assistant Professor of Arabic Language and Literature department of Payam Noor University, Tehran، Iran. , j.ranjbar@pnu.ac.ir
2- phd in Arabic Language and Literature at Khalij University، Boosher، Iran.
Abstract:   (441 Views)
In the sign-semantics of discourse that has a process function, unlike constructionist semiotics in which pre-made and non-fluid meaning is considered, the meaning is born of a dynamic and destabilizing tension between the linguistic levels of form and content; The fluidity and plurality of meaning in this attitude is due to the comparative interaction of feeling, perception and recognition of signs and meanings. The dominant discourse on the two poems "Ali.. Ghassan Kanfani" by Al-Fituri and "Marg Nazli" by Shamlou, relies on extensive and compressed communication; Since this discourse is born in the coexistence of sensory-perceptual and aesthetic functions, it inherits tense-emotional characteristics. The aim of the present research is to analyze these functions and explain the sign-semantic characteristics that dominate them in order to explain the meaning production conditions.This research is aimed at using, to show how the narrators of these two poems, through their special performance, in Dissociation from the limited personal me and attachment to the collective and transcendental me have been placed, and with the mechanism adopted by the speaker, the personal and private me of the agitator has been cut off from himself and connected with the transcendental me, and by extending the domain of presence Mythological heroes from a limited and historical time and place have caused the stabilization and expansion of their "presence" and "wide-ranging and decisive influence" in the world of the text; Also, the object by referring to a semiotic system has ensured the prismaticity and polyphony of the text.
Keywords: semantic sign, tension-emotional schemas, Saadi Yusuf, Shamlou.
     
Article Type: مقالات علمی پژوهشی | Subject: Semiotics
Add your comments about this article : Your username or Email:
CAPTCHA
Send email to the article author

Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.