Volume 2, Issue 2 (2011)                   LRR 2011, 2(2): 101-126 | Back to browse issues page

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Sarbaz H, Gergij Zarrinpour D. A Comparative Investigation of The Musical Atmosphere in Sadi Shirazi and Shamsuddin Kufi’s Odes in The Elegy of Baghdad. LRR 2011; 2 (2) :101-126
URL: http://lrr.modares.ac.ir/article-14-8253-en.html
1- Assistant Professor, Department of Arabic Language and Literature, Kurdistan University, Sanandaj, Iran
2- M.A. In Arabic Language and Literature, Kurdistan University, Sanandaj, Iran
Abstract:   (6699 Views)
Music is one of the effective factors in the global poem and literature. Particularly, if the poet’s work is composed based on the conscience truth and humanitarianism, and is far from any artificiality and artifice as well as is replete with various types of musical additives. Sadi Shirazi and Shamsuddin Kufi have made their odes more musical through selecting the two Tavil and Kamel meters (as the best models of expressing the man’s heartfelt feelings) and applying such various kinds of imagery as pun, symmetry, antithesis as well as appropriate words and the musical satire, in a accordance with the meaning and musical atmosphere of ode. The musical atmosphere of these two odes represents the increasing strangulation and the heavy atmosphere of Mugul attacks. In these two odes, the atmosphere is filled with anxiety, grief, internal blast, severity and violence, and one can observe these points in each rhythm of their ode letters. In addition to these advantages, Sheikh Shirazi’s being a non-Arab and the downfall governing the then Arab society following Mugul attack, have triggered some problems as the prosodic error of Esraf and Ejazeh in the music of these two worthwhile poets’ odes. An attempt has been made in this work to investigate the musical atmosphere of Sadi Shirazi and Shamsuddin Kufi’s odes through library research and by using structure analysis method.
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Published: 2011/06/14

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