The “Discursive Semiotics” of speech is proposed as a new method for the analysis of literary texts in which the production of meaning is directly linked with sensory conditions’ perceptive. In these circumstances, the meaning does not follow a logical plan, rather due to the presence of the perceptual subject that makes the sign phenomenal in discours, it is continuous, fluid, multi-dimensional and always being reborn. This study examines the discursive process in three dimensions (emotional, perceptual and aesthetic) in the poetry of Nima, and presents this approach as a new method of text analysis. The study also looks at the way in which the poet describes the world. This study not only creates a new reading of the poetry of Nima but also shows how the process of producing the dynamic sense in the poem is formed.

Keywords: Discursive semiotics, “ Manzoome Be Shahriar” of Nima, Perceptive dimension, Emotional and esthetic dimensions

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