Volume 7, Issue 4 (2016)
LRR 2016, 7(4): 217-233 |
Back to browse issues page
Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
Kazemi F, Salmani siyah balash A. A Study of Analysis Levels Function in Critical Approach to Discourse Analysis: The Case Study of A Separation. LRR 2016; 7 (4) :217-233
URL: http://lrr.modares.ac.ir/article-14-6373-en.html
URL: http://lrr.modares.ac.ir/article-14-6373-en.html
1- Assistant Professor of Linguistics, Department of foreign languages, Islamic Azad University, Central Tehran Branch, Tehran, Iran
2- M.A. student of Linguistics, Department of foreign languages, Islamic Azad University, Central Tehran Branch, Tehran, Iran
2- M.A. student of Linguistics, Department of foreign languages, Islamic Azad University, Central Tehran Branch, Tehran, Iran
Abstract: (6378 Views)
This article has studied the function of analysis levels in critical approach to discourse analysis according to Furlough's view inA Separation, by studying power, Culture and cultural believes inferring to the role and place of mythical texts such as holy book in discoursal solution. This article specifically studied the role of lying in disrupting relationships and conative norms and showed that sequential lies create an unsafe space that because of its intense consequences changes into a critical space. In the bed of the movie, subjects try to solve the existing crisis, using cultural believes, antagonism and persuasion. In such atmosphere that subject's discoursal conflicts are loaded with the lack of power balance, the only scape from the crisis is returning to meta-myth, a meta-belief that cause the asthmatic atmosphere to be adjusted and peaceful. It clarifies the relationship between culture and myth with discourse resolution. The research method in this article is analytic and analysis units are sequences and in fact sentences or dialogues have been used in A Separation.
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |