Volume 14, Issue 4 (2023)
LRR 2023, 14(4): 479-504 |
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Jamali F, Alvandpour G. Rumi's discourse analysis in Shams's Ghazaliyat based on "Interpersonal Transcendence" according to Halliday's theory. LRR 2023; 14 (4) :479-504
URL: http://lrr.modares.ac.ir/article-14-70613-en.html
URL: http://lrr.modares.ac.ir/article-14-70613-en.html
1- Assistant Professor of Persian Language and Literature at Payam Noor University, Tehran, Iran , Dr.jamali@pnu.ac.ir
2- Graduated of Persian language and literature at Payam Noor University, Tehran, Iran
2- Graduated of Persian language and literature at Payam Noor University, Tehran, Iran
Abstract: (1887 Views)
The present article aims to analysis Rumi's discourse in Shams's Ghazaliyat based on "Interpersonal Transcendence" within the framework of Halliday's role orientation. In studying and examining the texts, what is important is to understand the message and the author's main purpose of writing that text. In literary texts, the speaker's meaning is not always what it seems to the audience at first glance. Rather, concepts and layers of hidden meaning are brought behind the apparent words that contain the main purpose of the author. Reaching the author's intellectual world and worldview creates a deep and different mental space for the reader. This research answers these questions, how is Halliday's role-oriented systematic order efficient in the analysis of literary texts. In the interpersonal trans-role, how to deal with a larger structure than the text, and the possibility of analyzing the text is created. The hypothesis of the research is that the transpersonal role increases the interaction between the speaker and the audience and creates a more open space for discourse analysis. The statistical population is ghazaliyat Shams and the method used is analytical-descriptive. This research has shown that Halliday's role-oriented systematic theory is efficient in the qualitative and quantitative analysis of the text, in the discourse analysis. Based on the interpersonal role, the speaker's interaction with the audience and the characteristics of Shams's ghazaliyat have been determined, and the possibility of discourse analysis has been established.
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