The poetries of Sheevan Foumani are various from the conceptual and functional views.These stylistic varieties in poetries represent the frequency of experience that by means of them the poet incorporates component of meaning to the linguistic community of poetries.He carries out the aim by using the symbolic units in a specific style.Since the most of his poetries are symbolic and symbols of poetries are manifested in the forms of attributes,identification,personalization,impersonalization,the current research aims at investigating the semantic components of poetries of Fokhos and Aghadar in accordance with sociolinguistics. Also, it aims at drawing discursive boundaries through the symbolic representation of social actors based on the discursive functions.Therefore, two combined models of socio-semantic of Van Leeuwan and semio-semantic of Paris have been chosen to achieve these goals.As a main purpose,this research investigates the features of the model of Van Leeuwan on poetries.Consequently,the critical approach of the semio-semantic analysis of Paris tries to explain the discursive boundaries of poetries. Primarily by implementing the model of Van Leeuwan on verses, the results of research indicated that the representation of social actors in two poetries has been mostly formed by the factor of impersonalization. Moreover, based on the saliency of impersonalization, the semio-semantic analysis of poetries is formed by instrumenting this component in the direction of creating discursive spaces and the result indicated that discursive functions of appeasement,resistance,and insistence are often organized in textual layers that are related to the subcomponents of impersonalization.

Keywords: :The poetries of Sheevan Foumani, Social actors, critical approach, socio-semantic model, Van Leeuwan, impersonalization, textual layers

     

Add your comments about this article : Your username or Email:

---

---