Document Type : مقالات علمی پژوهشی
Authors
1
PhD. Student in French Language and Literature, Department of Languages and World Cultures, SR.C., Islamic Azad University, Tehran, Iran.
2
Associate Professor and Faculty Member in French Language and Literature, Department of French Language, Faculty of Foreign Languages, Islamic Azad University, Central Tehran Branch (IAUCTB), Tehran, Iran.
3
Assistant Professor and Faculty Member in Linguistic Studies, Department of Languages and World Cultures, SR.C., Islamic Azad University, Tehran, Iran.
10.48311/lrr.2026.116568.1016
Abstract
Jacques Dupin, a prominent figure in post-World War II French poetry, crafted a poetic language characterized by rupture, opacity, and a constant tension between presence and absence. This study, employing a phenomenological approach and close reading of Dupin’s poems, innovatively explores language instability, embodiment, and active silence, demonstrating how his poetry departs from traditional and lyrical structures to redefine modern poetic discourse. Unlike previous studies focusing primarily on linguistic or aesthetic disruptions, this article integrates phenomenology (Heidegger, Merleau-Ponty) and Derridean deconstruction (différance, trace) to analyze language as an existential event that reveals the instability of meaning. The findings indicate that Dupin’s poetry, through the dissolution of the subject, the materiality of language, and silence as an act, poses a fundamental challenge to classical French poetic traditions. It contributes to a deeper understanding of modern French poetry, where language serves as both a site of loss and a space for renewed emergence.
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