تحلیل ساختاری زبان غنایی (با تکیه بر نفثة‌المصدور)

Nafsat-al-Masdur by Shahab-al-din Mohammad Zeidary Nasavi, is one of the Persian euphemistic masterpieces. An examination of the structure of this text, from the perspective of language, reveals that the poetic and emotive functions of the text are more highlighted than the historical information. From a linguistic standpoint, a message could either be directed towards the addressor or the message itself. Therefore, the addressee is basically confronted with a literary text whose language often has an emotive function. As a result, the addressee understands the author’s soliloquy all the time. On the other hand, the author, through using his regular extra-regularity, produces numerous musical parallelisms and invigorates the internal music of a lyrical text, which is an essential component of any lyrical text. The pinnacle of lyrical language in Nafsat-o-al-Masdoor is where the author adds poetic and emotive functions to his text and makes use of a variety of parallelisms. In such cases, where the author expresses his spontaneous overflow of feelings in a given poetic and lyrical text, the prose of the book is quite simple and eloquent. This study aims to analyze the characteristics of lyrical language focusing on the structure of Nafsat-al-Masdur.