تلفیقات نحوی در صفت و کارکرد آن در موسیقی شعر نیما

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Heidarinia, H. Mehrabi, A. (2019). The role of the adjective as an art form in theaesthetics of new poetry. Literary Aesthetics Quarterly. 11. (45), 9-34.

Dahrami, M. (2016). Grammar of contemporary poetry (an aesthetic look at Persian grammar categoriesin contemporary poetry). Jiroft: Jiroft University.
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Shafii Kadkani, M. (1999) Imaginary images in Persian poetry. Tehran: Agah.
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Ghatreh, F. Agha Ebrahimi, H. (2012). Examining word formation processes in new poetry, modern poetry and postmodern poetry: a case study of Nima, Shamlou and Brahni. Language and linguistics.9(18), 1-14.
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Mokhtari, M. (2000). Nima and the poem today. A conversation with Mohammad Mokhtari. Through the efforts of Abbas Ghazvanchahi. second edition. Tehran

Mashkoor, M. (1989). Instructions on the usage and syntax of the Persian language. 11th edition Tehran: Sharq.
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Yoshij, N. (1950). Two letters. Quoted from Shafi'i Kodkani, M. (1979). Poetry music. 20th edition
Tehran. 2019.
Yoshij, N. (1989). About poetry and poetry and neighbor's words. Collection of Sirus Tahbaz. Tehran.
Yoshij, N. (2008). Diaries of Nima Yushij. By the efforts of Shiragim Yoshij. Third publication.
Yoshij, N. (2017). Complete collection of poems by Nima Yoshij. Collection of Sirus Tahbaz. Tehran.