تلفیقات نحوی در صفت و کارکرد آن در موسیقی شعر نیما

مقالات آماده انتشار

نوع مقاله : علمی پژوهشی

نویسندگان
راهله کمالی 1
محمود فتوحی رودمعجنی 2
لیلا صادقی 3
1 دانشجوی دکتری دانشگاه فردوسی مشهد
2 دانشگاه فردوسی مشهد
3 دکتری زبان شناسی همگانی دانشگاه تهران
10.48311/lrr.2025.7185
چکیده
یکی از ویژگی‌های زبانی برجسته در اشعار آزاد نیما، نحو متشخّص و متمایز اوست. نیما از این شاخصۀ زبانی خود با عنوان «تلفیقات صرفی و نحوی» نام برده است. بررسی تلفیقات نحوی نیما نشان می‌دهد که این تلفیقات در شعر نیما کارکردهایی دارد که یکی از این کارکردها، نقش آن در ایجاد موسیقی شعر است.از آنجا که تلفیقات نحوی مربوط به صفت، در شعر نیما بسامد بالایی دارد، این مقاله بعد از تبیین انواع تلفیقات نحوی نیما در صفت؛ نظیر گسترش صفت، فاصله انداختن میان موصوف و صفت، کاربرد صفت جانشین موصوف و... به بیان کارکرد آن در ایجاد موسیقی شعر نیما می‌پردازد و نتیجه می‌گیرد که نیما از طریق تلفیقات نحوی خود به‌ویژه دربارۀ صفت، سعی کرده به موسیقی طبیعی کلام که متناسب با احساس و مضمون شعر است، دست یابد.
کلیدواژه‌ها
نیمایوشیج
تلفیقات نحوی
صفت
موسیقی
احساس
موضوعات

عنوان مقاله English

Syntactic combinations in the adjective and its function in the music of Nima's poetry

نویسندگان English

Raheleh Kamali 1
Mahmood Fotoohi 2
Leila Sadeghi 3
1 PhD student of Ferdowsi University of Mashhad
2 Ferdowsi University of Mashhad
3 Ph.D in Public Linguistics, University of Tehran
چکیده English





One of the outstanding language features in free Nima's poems is his characteristic and distinctive syntax. Nima named this linguistic characteristic as "morphological and syntactic combinations". Examining Nima's syntactic combinations shows that these combinations have functions in Nima's poetry, and one of these functions is its role in creating the music of the poem. Since the syntactic combinations releted to adjectives have a high frequency in Nima's poetry , this article after explaining the types of syntactic combinations of Nima in adjectives; such as the expansion of the adjective, putting a distance between the adjective and the adjective, the use of the adjective as a substitute for the adjective, etc., it expresses its function in creating the music of Nima's poetry and concludes that through his syntactic combinations, especially about the adjective, Nima tried to make the natural music that the words It matches the feeling and theme of the poem.

کلیدواژه‌ها English

Nimayoshij
syntactic combinations
adjective
Music
Emotion
Akhavan sales.M. (1982). Innovation and creations of Nima Yoshij. 2th edition. Tehran: Bozorgmehr
Akhavan sales.M. (1997).Winter. 15 th edition. Tehran: Morvarid
Akhavan sales.M.(2000)In the small autumn yard in the prison. 11th edition. Tehran: Zemestan.
Anvari, H. Ahmadi Givi. H. (1991) Persian grammar 2.4 th edition. Tehran: Fatemi.
Jabri, S. Mansori, Z. (2015).Examining the views of grammarians and linguists on "adjective". Collection of articles of the 10th International Conference on the Promotion of Persian Language and Literature. Mohaghegh Ardabil University. PP.91-106.
Heidarinia, H. Mehrabi, A. (2019). The role of the adjective as an art form in theaesthetics of new poetry. Literary Aesthetics Quarterly. 11. (45), 9-34.

Dahrami, M. (2016). Grammar of contemporary poetry (an aesthetic look at Persian grammar categoriesin contemporary poetry). Jiroft: Jiroft University.
Promotion of Persian Language and Literature. Mohaghegh Ardabil University. PP.91-106.
Soltani Gard Faramarzi,A. (1989). Persian grammar from word to word. [out of place]:Heydari.
Shafii Kadkani, M. (1979).poetry music. 20th edition, Tehran. 2019.
Shafii Kadkani, M. (1999) Imaginary images in Persian poetry. Tehran: Agah.
Sadeghi, L. (2021). Literary criticism with a cognitive approach. (C. 2) Cognitive universals. FirstEdition. Tehran.
Safavi, K. (2004). From Linguistics to Literature: poem(Vol. 1). First Edition. Tehran.
Taleghani, K. (1974). Principles of Persian grammar. 14th edition. . Tehran: Amirkabir
Alipour, M. (2001). The structure of today's poetry language (research on vocabularyand construction . of ontemporary poetry language). second edition. Tehran.
Ghiyasi, M. (2006). French poetry in the twentieth century. Tehran.
Fotoohi, M. (2011). Stylistics (theories, approaches and methods). First Edition. Tehran.
Ghatreh, F. Agha Ebrahimi, H. (2012). Examining word formation processes in new poetry, modern poetry and postmodern poetry: a case study of Nima, Shamlou and Brahni. Language and linguistics.9(18), 1-14.
Mohit, e. (2010). Agha Tuka (about the life of Nima Yoshij). First edition. Shiraz.
Mokhtari, M. (2000). Nima and the poem today. A conversation with Mohammad Mokhtari. Through the efforts of Abbas Ghazvanchahi. second edition. Tehran

Mashkoor, M. (1989). Instructions on the usage and syntax of the Persian language. 11th edition Tehran: Sharq.
Vahidian-Kamiar, T. (1379). Persian Grammar 1. First edition, Tehran: Samt.
Honarmandi, H. (1971). The Foundation of New Poetry in France: A survey of the most important French poetic practices from one hundred years ago until now. First Edition. Tehran.
Yasmi, R. Farozanfar, b. Gharib, A. Homai, J. (1371). Persian grammar (five teachers). First Edition. Tehran: Elm.

Yoshij, N. (1950). Two letters. Quoted from Shafi'i Kodkani, M. (1979). Poetry music. 20th edition
Tehran. 2019.
Yoshij, N. (1989). About poetry and poetry and neighbor's words. Collection of Sirus Tahbaz. Tehran.
Yoshij, N. (2008). Diaries of Nima Yushij. By the efforts of Shiragim Yoshij. Third publication.
Yoshij, N. (2017). Complete collection of poems by Nima Yoshij. Collection of Sirus Tahbaz. Tehran.
جستارهای زبانی

مقالات آماده انتشار، پذیرفته شده
انتشار آنلاین از 22 تیر 1404