Butler, Judith. (1993) Bodies That Matter: On the Discursive Limits of " Sex & quot;. London & New York: Routledge,.
_____. (1997)Excitable Speech: A Politics of the Performative. New York and London: Routledge.
_____. (1999)Gender Trouble: Feminism and the Subversion of Identity. New York and London: Routledge.
Butler, Judith, Ernesto Laclau, and Slavoj Zizek. (2004) Contingency, Hegemony, Universality:Contemporary Dialogues on the Left. London and New York: Verso, Print.
Guilbert, Georger-Claude. “Queering and Dequeering the Text: Tennessee Williams’s A Streetcar Named Desire.” Cercles 10: 85-116. Print.
Gussow, Mel. Ed. (2011) The Collected Plays of Tennessee Williams: New York, The Library of America.
Hale, Allean. (1991)“ The Secret Script of Tennessee Williams.” The Southern Review 27.2 : 363. Print.
Hirsch, Foster. (1979)A Portrait of the Artist: The Plays of Tennessee Williams. London: Kennikat Press. Print.
Kirby, Vicki. (2006) Judith Butler: Live Theory. London: Continuum International Publishing Groups.
Meijer, Irene Costera. (1998) Signs, Vol 23, No.2, Jstor.
Miller, Jordan. (2011) The Three Halves of Tennessee Williams’s World. Ed. Robert A. Martin, New York: G.K. Hall and Co.
Murphy, Brenda. (1997) “Seeking Direction.” The Cambridge Companion to Tennessee Williams, edited by Matthew C. Roudane, Cambridge University Press, 189-203. Print.
---.(1992) Tennessee Williams and Elia Kazan: A Collaboration in the Theater. Cambridge
University Press. Print.
Parker, Brian. (2000) “Tennessee Williams and the Legends of St Sebastian.” The University
of Toronto Quarterly 69.3: 634-659. Print.
Saddik, Annette. (2014) Tennessee Williams And the Theater of Excess: Cambridge University Press.
Smith, Molly. (2008) Foreword. A Companion to Twentieth-Century American Drama, edited by David Krasner, John Wiley & Sons. xvii-xix. Print.
مهدیزاده خدایاری ش.، نجومیان الف.(1399). اجراگری و بازتاب گفتمانی آن در روایت "مرد" اثر محمود دولت آبادی، جستارهای زبانی، دانشگاه تربیت مدرس.